NAGAOKA Kazumi


Born in Okayama, Japan. Nagaoka Kazumi has been creating terracotta sculptures since around 2000.

Recent Solo Exhibitions

2025  Echo / Sankoa, Tamano, Okayama
    Days / tsugumi, Suginami, Tokyo
2024  A Small Box in the Forest / Eight-Legged Wolf, Musashino, Tokyo
    Its Form / Gallery Camellia, Chuo, Tokyo
2022  Receding and Approaching / Sankoa, Tamano, Okayama
    Moment by Moment / Galleria Tokino-Shizuku, Setagaya, Tokyo
2021  Inconclusive Days / Kyobunkan Ein Karem Gallery, Chuo, Tokyo
2020  Absent-Minded / art space ruriro, Kawagoe, Saitama

Selected Group Exhibitions

2024–2025  Captured Light with Scrap Pinhole Cameras / Chofu Cultural Center, Tokyo
2023  International Ceramic Sculpture Symposium "LAB ORO 2023" / Polish Sculpture Center, Poland
2020  Moon Viewing Exhibition / qibao.gallery, China
2017  Kanazawa World Craft Triennale 2017 / 21st Century Museum of Contemporary Art, Kanazawa
2012  Daikokuya Contemporary Art Competition / Tochigi
2009–2010  Art Now: Okayama (traveling exhibition), Okayama
2007  Resonating Art / Kurashiki City Art Museum, Okayama

Workshops

IDEA R LAB & Material Library, Kurashiki
Daida Kindergarten, Tokyo
Sugimura Jun Museum of Art, Shiogama
and others

Commissions / Publications

2019–2025  Commemorative works, Ohara Museum of Art
2020  Publications documenting works and installations
2018  Book cover and illustrations for Katsumi Hirano, Keywords to Understand Sermons
2019  Relief installations, Daida Kindergarten, Tokyo (13 works)
2006  Installation, Okayama Saiseikai Hospital

Artist Statement
by NAGAOKA Kazumi

I create works in terracotta.

Drawing inspiration from the passage of time and fragments of memory, I give form to a world that steps slightly beyond the everyday, while gently gathering the presence embedded in local climates and the rhythms of daily life.

In works that employ cloud motifs, I find both transience and permanence in their ever-changing forms. Clouds also reflect the fluctuations of the mind; as overlapping faces emerge, they become imbued with emotion, transforming from mere landscapes into entities with a narrative presence.

At times, forms arise from fundamental acts such as repetition and iteration, as I expand ideas rooted in indigenous origins. Processes such as stacking clay infused with air, carving, pointillistic marking, and rubbing gradually become moments of turning inward, attuned to the breath of the material itself.

With this sensibility, I approach each work by focusing on the present moment. As elements are distilled and take shape, the contours of themes and landscapes begin to emerge from the completed works. In recent years, multiple personas have started to appear within a single piece—works that connect the visible world with another realm.

For this exhibition, under the theme of “connection,” I present both new and past works, in the hope that viewers may perceive a continuity of time extending from the present into the past. I also hope that these woven fragments may come together to share new narratives and landscapes. I would be delighted if you could view these works alongside the expressions of low-fired clay.